GROUP PRESENTATIONS
- Titus & Adronis
- 1st tragedy: revenge play
- Act 4 Scene 1 lines 1128-1191
- Aaron=villian
- Rapists: Chiron/Demetrius
- Alive @ end: Lucius & Makus & Boy
- based on Ovid's Metamorphosis
- very gruesome
- Best film version is by Julie Taymor
- don't watch if you are squeamish
- Much Ado About Nothing
- takes place in Italy
- Comic vs. tragic
- happen simultaneously
- indistinguishable: don't know whether to laugh or cry
- McEacher quotes Frye
- 3/4 tragedy last part comedy
- doesn't have a problem until Don Juan who is described as being a Bastard by Nature
- 3 Parts: Hammock of Time
- 1st part: afternoon/evening
- 2nd part: takes place in a week
- 3rd part: 24 hours
- Most action in 1st and 3rd part
- 70% prose
- Lies/Deceit
- page 381 songs about "The Song"
- Othello
- Iago: Satan figure- Paradise Lost- Bloom
- very black and white/ perfect and imperfect
- put on as a western
- Taylor = Bard/Balladeer
- King Henry IV Part I
- I will post the play that we wrote if anyone would like to be able to just read it that way
- Measure for Measure
- movie
- title comes from the Sermon on the Mount
- Pro Christianity
- Frye
- disguised rules, corrupt judge, bed trick
- Coriolanus
- coriolanus is a killing maching very disliked character
- last tragedy
- addresses democracy
- put on as a comedy instead of as a tragedy
- Roberto: focused on Caliban, the Shadow from Yungian theory, Smedicoff. said that all of us have the Shadow within and that Shakespeare brought the shadow into literature
- Jackie: love; infatuation vs. Jealousy; Romeo & Juliet shows infatuation while Othello shows Jealousy
- Kenzie: focused on Venus & Adonis and how Shakespeare and Ovid differ. also discussed role reversal of the male/female
- Ashley: Cordlia represents all Shakespearean femeninity (Sexson said we should all read her paper)
- Nick: addressed the idea of identity and how it is broken down in Shakespeare. Recited a "Rant" that he had prepared. we all perform our identity.
- Rio: Ovid/Shakespeare; synodonis; character analysis
- Jamie: myth-Shakespeare; rapped (which was awesome!) focused partly on As You Like It
- Tristan: rapped; focused on Caliban's Speech then incorporated parts of other plays. Really very good!!!
- Anne: focused on the importance of sexual references and their purposes; also touched on the role of the woman
- Taylor: addressed how the 7 sins are present in Shakespeare and Ovid and how they vary in each author's work
- Amanda: Forbidden love is actually Skaespeare's Consuming Myth; evident in Romeo & Juliet and a Midsummer's Night Dream
- Fletcher: Bloom; mirror are we all crazy? literature parodies Sreal life love=drug- talked about influences from Budha & Samuel Beckett
- Lisetter: Anthony & Cleo vs. Romeo & Juliet; same story just 40 year difference; A&C are just the adult version of R&J. went from being sheltered teens to dramatic adults
- Morgan: Ted Hughes: Consuming Myth Rape of Lucrisis- chastity and how it is mythological
- Matt: Frye; focused on Nature, fool, and nothing; compared Othello, Antony, and King Lear
- Cameron: Waking Life; focused on "To be or not to be"; Hart of Parllness; process of understanding; Hamlet; more complex than life or death
- Lisa: Negative capability: veil of soul making Keats; Veil = farewell or false; (Sexson insertion: check out The Painted Veil (film) based on a book by Maughn which is based on a poem by Shelley)
- It wasn't posted yet but I really recommend reading her paper as it sounded fabulous
- Alex: Divine visitation; absence of this make dramas tragic, Venus and Adonis; Adonis' rejection of Venus causes his tragic fate
- Melissa: Nature in King Lear: levels of nature; Frye influenced; stars purer than "this world"
- Korin: disguises and the roles they play especially in MSND & AYLI; Ganymede; disguises provide enlightenment
- Nathan: Yon Cots & Presence of Shakepeare; looked at the Tempest theoretically; New Historicism, Presentism, William Shakespeare bitter; history has power;
- Becky: Poem; Cleo & WS one and the same
- Jon: Hamlet: self experience of mythology; prodigal son story
- James: Prospero; no myth is original only Shakespeare style is original
- Brian: all plays are related; Hamlet & King Henry IV Part 1; same plot basically; focused on "to be or not to be" & Caliban's speeches/asides; Bloom- W.S. center of Cannon
- Rachel: Shakespeare=myth; revamps & makes his own; Coleridge Primary & Secondary Imagination, fancy; In the Tempest Prospero =William Shakespeare
- Lauren S.: picture on blog; idea struck from Caliban=Posiden; myths related; Andronica/Perseus myth; Satus=Caliban; Tempest evolved myth of Andronica & Perseus; roles flip flopped; ppl forgot mythic identity/ parents & originals
- Shelby: Bloom's invention of humans; aesthetic dignity; Keats' negative capability; beauty vs sublime; format of romantics; Edmund Burke negative pain; reach the sublime through the removal of pain; Pericles
- Spencer: Cymbeline; final act & final scene focused on; hats; characters miss the entire point not just the myths; finally get the point after switching hats
- Joe: Nothing; imagination over reality=power; realm of actual and realm of possibilities; basic myth; all participate because we all have imagination; live in both realms
- Lauren T: language; immortalize/romantic sonnets; Othello not beautiful wording; Iago ultimate Tarquinn; pen didn't outweigh the sword; Richard White
- Jenny: Sang Band Perry If I Die Young; Pearl and its importance
- Rilee: Iago; Promethesus; Hesien; Bloom; Amelia-Pandora; fire put out
- Craig: screen play act 4 of Cymbeline; 4 scenes imagery is great; Silence is where a lot of the important things happen because can be changed without compromising the integrity of WS work
- Check out Amanda's blog about opinions on individual projects
- Check out Shelby's blog about opinions on group projects
- search for lost time
- The Ideas of Order Wallace Stevens
- The Primitive like an Orb Wallace Stevens
- "Life is not a problem to be solved but mystery to be experienced"
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